“I see that other videographers have microphones, so I must too”, was probably the thinking. All the RØDE VideoMics have extremely low self-noise; in fact, the VideoMic Pro and VideoMic Pro+ are actually slightly quieter than the VideoMic NTG. By boosting the signal before the camera preamps you have a lot more play to achieve reasonable volume levels. Earnings help us with website maintenance and make it easier for us to bring you the best information available. It’s probably why the VideoMic Pro became so popular with DSLR shooters. In this Rode VideoMic vs VideoMic Pro vs Pro Plus comparison, we compare specifications, pros, and cons of these 3 shotgun mics. And so in the spirit of writing my past self a letter full of information I wish I had back then, I present another JuicedLink comparison. If your audience can’t clearly hear what is being said, they’ll likely turn their attention to something else, or shut your video off entirely. BLACK FRIDAY SALE! Couple weak preamps with weak microphone signals, which is pretty standard for shotgun microphones, and you’re left with a very quiet audio track. Joel has been editing to the beat of his own waveform for 8 years as a freelance videographer, but it still took a global pandemic to get serious writing. No matter the features, however, appropriate mic placement is the key to capturing clean, discernible recordings that will help your audience engage with the content. What I failed to understand was that my Canon Rebel T3i’s preamps were bad, very bad, and that without boosting an already weak mic signal I was only intensifying the problem. This is where that +20 dB switch on the VideoMic Pro and Pro+ comes in and saves the day. Great so we’re sorted on the major difference between the VideoMic and VideoMic Pro, but what’s up with that little plus? The Rode VideoMic Pro raises the bar set by the original Rode VideoMic, by combining broadcast quality audio with an ultra compact and lightweight ergonomic design.Incorporating new features specific to high end video, the VMP also evolves many of the features that have made the VideoMic … So unless you plan on shoving your camera in the face of the person speaking, you shouldn’t be surprised when the audio from your shotgun mic isn’t as clear and clean as a boom pole mounted shotgun mic when hung just outside the camera frame. Now, let’s be real, there are plenty of reasons to shove a camera in someone’s face. Automatic Power Switching. There was a time in the nascent days of my videography career that I perceived the absence of a microphone in my recording setup. Just remember that if you’re spending $1000 to $3000 dollars on a camera, you should consider putting some commensurate effort into a good microphone. So you’re basically forced to choose between a video with a max volume that is too quiet or a video just loud enough but still hissing obnoxiously. Imagine my frustration to discover that my newly purchased VideoMic not only failed to deliver the promise of clear audio, but that it, in fact, made the hissing worse. It looks similar from the outside (although, the pro … The biggest problem with camera-mounted microphones is the fact that they are camera-mounted microphones. But the more you turn up the gain, the louder the noise. Sound can often be overlooked but having good, clear audio is probably more important than making sure your lens is in focus. The NTG and the Pro+ offer good off-axis sound rejection. Rode has been leading the charge for over a decade in low-cost, high-value products that have transformed the overall quality of many productions. RØDE VideoMic Pro+ is the companies latest on-camera microphone. 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